Thomas Schlich is the James McGill Professor in the History of Medicine and Charie of the Department of Social Studies of Medicine at McGill University in Montreal. This Countercurrent Revisited conversation picks up the story six years after our first podcast. We discuss Thomas’s longstanding fascination with surgery in the long nineteenth century and his book exploring these ideas. We also discuss his work on the history of masks, prompted by the Covid-19 pandemic.
Annmarie Adams is Stevenson Professor in the History and Philosophy of Science, including Medicine, at McGill University in Montreal. An architect and architectural historian by background, Annmarie is jointly appointed in her university’s School of Architecture and Department of Social Studies of Medicine. We explore how these perspectives intersect and share our experiences of hospital buildings and other sites of care, drawing on Annmarie’s ability to analyse and map the skeletal structure of buildings in a way that resonates with studying human anatomy.
Nina Baker was one of my first Countercurrent guests. In 2014 she described her varied career, from being the first female deck officer in the British Merchant Navy to her PhD in concrete science and her work in university administration. In this Countercurrent Revisited podcast we explore her longstanding fascination with the history of women in engineering.
After a five year apprenticeship as a wood and stone carver Bradford’s (a leading London workshop) in the 1950s, Tony worked at the firm for fifteen years as a journeyman. He then moved to St Paul’s Cathedral as Master Carver. There he was responsible for the cathedral’s extensive conservation and restoration programme and also created new work. In this conversation we explore Tony’s lifelong fascination with the art and craft of carving, inspired by forms in the natural world.
Professor Misha Perouansky is a consultant anaesthetist and experimental neuroscientist in Madison WI, USA. He first took part in Countercurrent 2017. In 2023 he suffered a catastrophic water-skiing accident, leading to a high above-knee amputation of one lower limb and a number of other injuries. In this Countercurrent Revisited conversation we explore Misha’s experience of serious trauma and its impact on his life and career.
Dr Emma Barker is an art historian and academic who teaches and researches at the Open University. She specialises in eighteenth-century French art and she is currently exploring ideas around art and blindness.
Anne Desmet RA is a distinguished wood engraver, print maker and Royal Academician. Fascinated by the idea of metamorphosis, her imaginative works often draw on architectural themes. We discuss how her work has evolved over several decades, and how she brings together a wide range of styles and techniques.
The immunologist Andrew George is Professor Emeritus at Imperial College London. In addition to his immunological research, Andrew plays a leading role in developing policy around ethical conduct and regulation of research. He has held many senior positions in universities and the health service and is also a career coach.
Sir Christopher Le Brun PPRA is widely known as a painter, though he also works in other media. From 2011 until 2019 he was President of the Royal Academy of Arts (RA). We discuss his approach to art and the challenges of leading the RA during a time of challenge and redevelopment.
Quassim Cassam is professor of philosophy at the University of Warwick. He is well known for his work examining terrorism, political extremism, the professional values of general medical practice and the idea of epistemic vice. In this conversation we explore how these strands are interwoven within his career.
Peter Openshaw CBE is a respiratory physician and mucosal immunologist at Imperial College London, where he is Professor of Experimental Medicine at the National Heart and Lung Institute. His because a familiar voice in the media during the Covid-19 pandemic. We discuss how his clinical and research interests intertwine, and how his Quaker principles underpin his approach to clinical practice and experimental work.
https://profiles.imperial.ac.uk/p.openshaw
Dr Dan Dworkis is a board-certified emergency physician and Adjunct Professor at the Keck School of Medicine at the University of Southern California. He is Chief Medical Officer at the Mission Critical Team Institute. His book The Emergency Mind: Wiring Your Brain for Performance Under Pressure was published in 2021. In this conversation we explore what it means to deal with uncertainty in situations of crisis.
Matt Bishop is a writer, journalist, novelist and communications expert with a lifelong passion for motor sport. In this podcast we explore his insights into the worlds of Formula One racing and journalism.
https://www.motorsportmagazine.com/articles/author/mattbishop/
Dr Stephen Webster is a philosopher of science and developed the internationally renowned Masters in Science Communication at Imperial College London. He stepped down from directing the Science Communication Unit in 2023 and now leads the Good Science Project at Imperial. We discuss what ‘good science’ means and explore how sitting and thinking can be as important as laboratory benchwork.
Geoff Grandfield is well known for his iconic book covers and illustrations, strongly influenced by film noir. His images, with their unconventional viewpoints and perspectives, convey a powerful sense of isolation, unease and disquiet. In addition to his work and his teaching, Geoff is exploring the legacies of primal separation in his doctoral studies.
Sheila Hayman is a documentary film maker who has been exploring the relationship between people and technology for over forty years. In this conversation we explore issues around sustainability, artificial intelligence and what it means to be human.
Simon Clarke is a consultant paediatric and neonatal surgeon and a professional actor. In this conversation we explore the similarities and differences between these apparently unrelated areas of expert practice.
John McMunn fell in love with opera and performing at the age of ten. He studied at Harvard University before moving to England to become a Choral Scholar at King’s College Cambridge, then studied at the Royal College of Music Opera School. Ill health forced him to change his career direction. Now he is Chief Executive of the Academy of Ancient Music. We discuss our experiences of how serious illness has reshaped our careers.
Rob Sansom is an actor, Simulated Patient, house decorator and builder. In this conversation we explore how his work in these apparently unrelated worlds connects in unexpected ways.
Dame Siobhan (Sue) Davies has had a long career in contemporary dance. Initially at the London Contemporary Dance Theatre, Sue established Siobhan Davies Dance Company in 1988. Her studio - Siobhan Davies Studios - was designed by Sarah Wigglesworth within the shell of a Victorian school building in Southwark. Now Siobhan makes films, including ‘All This Can Happen’ (2012).
Professor Sir David Spiegelhalter was Winton Professor of the Public Understanding of Risk at the University of Cambridge until his recent retirement. A gifted broadcaster and communicator, David became familiar to many through his media discussions around statistics and risk during the Covid-19 pandemic.
Dr Richard Horton is the Editor-in-Chief of The Lancet. In this conversation he describes the challenges and excitement of being at the helm of one of the world’s leading medical journals and his approach to controversy and political involvement. We also discuss his personal experience of advanced cancer and its impact on his thinking and approach.
Aris has been fascinated by the human body for as long as he can remember. Early on he discovered a special aptitude for treating ill and injured people through touch, broadening his skills during his degree studies as a sports therapist. In this conversation we discuss our different experiences of gaining and applying anatomical knowledge, and our approaches to working with patients and clients.
https://www.aristherapy.co.uk/
Helen Anahita Wilson trained as a pianist and spent years performing contemporary compositions in the UK. She then became immersed in the complex rhythmical structures of Indian music. In 2019 she was about to travel to India at the start of her PhD when she was diagnosed with aggressive breast cancer. She underwent surgery, chemotherapy, radiotherapy and immunotherapy during the Covid pandemic. She used these experiences to develop new musical forms, drawing on sonic expressions of biological processes in humans and plants. Her latest work linea naturalis is based on plants in the Chelsea Physic Garden.
https://www.helenanahitawilson.com